As a person who has a problem with attachment to things, I typically get very upset when things break.
Very. Upset.
However. I am also a Witch, and one who believes in magick, signs, and messages. So when I opened my glasses case and one of the clay talismans I made this year at Pagan Pride--which was put in a glasses case for protection from breaking--was BROKEN... I was initially very upset. This one came out the best, and I was very proud of it. But when I realized that the only one that had broken was the one that had actually been made with an intention, I started to think its breaking was perhaps the completion of its purpose.
Odd, I thought, since I hadn't even had time to sit with it and "do" anything.
Its creation was its onset, though. It's been a couple of months. So here's what we have. Now I'm just working out what it is that's come to pass...
Ashes to ashes. Dust to dust.
Blessings~
-C-
Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
03 November, 2016
26 January, 2016
Unflinching Heart / Thank You
Hey, Readers,
I didn't set out to write a blog post tonight. I just started writing a little update on Facebook and it turned into a much longer post--longer than a status but perhaps shorter than a blog post--so I decided to instead publish it here. That's what I have a blog for, right? =)
About halfway through this status update-turned-blog, I realized that I was doing the work I began last weekend at a Priestessing Skills (read: Leadership Skills, of a Priestessing nature) workshop. But you all don't know about that yet. I don't know if you will, explicitly. This one may just be revealed to you in my leadership, in my priestessing. But I will tell you that it was working with acknowledging our fears about leadership, and with letting go of the idea of "perfection" in leadership. So without further adieu, here are the thoughts that sprang from my head, fully formed, before my fingers knew what they were typing.
I didn't set out to write a blog post tonight. I just started writing a little update on Facebook and it turned into a much longer post--longer than a status but perhaps shorter than a blog post--so I decided to instead publish it here. That's what I have a blog for, right? =)
About halfway through this status update-turned-blog, I realized that I was doing the work I began last weekend at a Priestessing Skills (read: Leadership Skills, of a Priestessing nature) workshop. But you all don't know about that yet. I don't know if you will, explicitly. This one may just be revealed to you in my leadership, in my priestessing. But I will tell you that it was working with acknowledging our fears about leadership, and with letting go of the idea of "perfection" in leadership. So without further adieu, here are the thoughts that sprang from my head, fully formed, before my fingers knew what they were typing.
18 November, 2013
Inversion Aversion
Hey, Readers,
Today I was at my friend Christine's house, and she was telling me about a picture posted by someone she follows online, which got them a lot of flack from fans/readers. She had posted a picture of a witch wearing an inverted pentacle. As my friend described it to me, it sounded a lot like a painting I really enjoy, so I looked up an image of it and showed my friend. Sure enough, she said, "That's it, but in the version I saw, her eyes were made to look reddish."
Cauldrón is a painting by Spanish illustrator, Victoria Francés. At least, I think it's a painting; I'm not sure what medium she uses. In short, I adore her work, have for years, and my dorm room sported several of her pieces in paper print-out form.
In this and a few other of her paintings, Francés depicts the pentacle pendants inverted. Yet, those who know her work will know that in other paintings, pentacles are worn upright. Also, in this very painting, there is an upright pentagram on the cauldron, after which the piece is actually titled. So this is not an instance of the artist not having any knowledge of the symbol, or thinking that it is always inverted, or anything like that. Yet this might beg the question further: If she knows them to be used both ways, why choose to invert them?
My friend was impressed with someone for being able to explain that this symbol is not, in fact, something that people need to get all riled up over and attack her for posting on a witchy page. I take it just a bit further in letting you know that the image in question is actually a stunning piece of art, done in 2004 by a talented Spanish artist. I encourage you to always think more deeply about things like symbols, to ask why, to wonder, and to imagine yourself in someone else's position, even if that person is in a painting.
Think: "If I were wearing an inverted pentacle, what would be the reason behind it?"
Blessings~
-C-
Today I was at my friend Christine's house, and she was telling me about a picture posted by someone she follows online, which got them a lot of flack from fans/readers. She had posted a picture of a witch wearing an inverted pentacle. As my friend described it to me, it sounded a lot like a painting I really enjoy, so I looked up an image of it and showed my friend. Sure enough, she said, "That's it, but in the version I saw, her eyes were made to look reddish."
![]() |
| Cauldrón by Victoria Francés |
Whatever Francés' reasoning, my friend was impressed at how this person handled the negative comments on her page after she posted this picture. The author of the page was able to remain calm and simply inform people that there are many reasons why witches DO use this symbol in its inverted form, including that it may be a Second Degree symbol, or represent matter over spirit. For me, looking at this painting, it strikes me that a person may also wear their pentacle this way so that it is upright to their perspective when they look down at it, or so that it is upright when you hold it up in front of you. I have a long-chained necklace which is a clock designed to look like it rests inside a heart-shaped lock, and the clock hangs up-side down so that it faces upright when I pick it up to check the time. Similarly, my compass has a hanging loop on the "bottom." This could be a very practical reason for wearing a pendant inverted if it is more than just decoration, but in fact something that you work with in a practical way.
The main symbolism, though, for an inverted pentacle, is to me, that it represents Spirit Over Matter when upright and Matter Over Spirit when inverted. This is why it has become associated with Satanism, as Satanists are concerned with matters of matter, rather than with matters of spirit. Whenever someone makes a comment about inverted pentacles being Satanic, I am sure to let them know that Satanists choose to use the symbol that way for a specific purpose. It's not that "we" are "upright" as our pentacles and they want to "invert" everything we stand for, it's just simple symbolism and what they want to represent.
As such, I have also personally considered using the inverted pentagram as a symbol to connect more with the Horned God. The symbol was already used in the past to try and associate the Horned God and Paganism as a whole with Satan--you've likely seen those images of an inverted pentagram with a goat-headed being superimposed onto it--so why not use that in a positive sense, for connection, rather than letting it stay something we shun in an effort to dissociate from it? When I mentioned that idea in Magic Class, I DID get horrified looks... from my fellow practitioners! The fear of being associated with this symbol is really ingrained in some people, not because of what it actually means, but because of what society thinks of us and therefore what we try not to perpetuate. People are so quick to say "I'm not evil because my pentacle is this way. If you turn it around, THAT'S Satanism (and therefore evil)." Not everything is so black and white, up or down.
The main symbolism, though, for an inverted pentacle, is to me, that it represents Spirit Over Matter when upright and Matter Over Spirit when inverted. This is why it has become associated with Satanism, as Satanists are concerned with matters of matter, rather than with matters of spirit. Whenever someone makes a comment about inverted pentacles being Satanic, I am sure to let them know that Satanists choose to use the symbol that way for a specific purpose. It's not that "we" are "upright" as our pentacles and they want to "invert" everything we stand for, it's just simple symbolism and what they want to represent.
As such, I have also personally considered using the inverted pentagram as a symbol to connect more with the Horned God. The symbol was already used in the past to try and associate the Horned God and Paganism as a whole with Satan--you've likely seen those images of an inverted pentagram with a goat-headed being superimposed onto it--so why not use that in a positive sense, for connection, rather than letting it stay something we shun in an effort to dissociate from it? When I mentioned that idea in Magic Class, I DID get horrified looks... from my fellow practitioners! The fear of being associated with this symbol is really ingrained in some people, not because of what it actually means, but because of what society thinks of us and therefore what we try not to perpetuate. People are so quick to say "I'm not evil because my pentacle is this way. If you turn it around, THAT'S Satanism (and therefore evil)." Not everything is so black and white, up or down.
Could you imagine the reactions if I did start wearing an inverted pentacle? What would the general public think? What would my fellow practitioners think? What would those of you who've read this post think, since you have this information behind it? Would you think twice or more about it before making a judgement? Is there something about it that JUST makes people feel strangely, or have we been taught how to feel about this symbol?
Think: "If I were wearing an inverted pentacle, what would be the reason behind it?"
Blessings~
-C-
Tags:
art,
Horned God,
painting,
pentacle,
symbol,
symbolism,
Victoria Francés,
witch,
witchy
29 August, 2013
A Day at the Art Museum
Hey, Readers,
For my birthday on 16 August, my boyfriend took me to the Cleveland Museum of Art. We spent several hours there, beginning with a lunch at their cafe and continuing through all the available exhibits, from ancient Greece, Rome, and Egypt all the way up to the modern artists. I used my video camera to take photos of some of the pieces that I was allowed to photograph--most of the modern art is not allowed to be photographed due to copyright--and while I will be putting together a video showing the photos and talking a bit about my journey through the museum, I wanted to share some pictures here. I will not show every single picture in this post, but I will show them all in the video, so when I get that posted I'll be sure to link it here so you don't miss it!
As I said, first we had lunch at the cafe. I had a green bean salad--one of the only vegan options for fresh foods--and opted for a simple peanut butter and jelly sandwich (despite the bread containing gluten and other non-vegan products, since I am trying to eat vegan as much as possible, but when not possible, I am at least vegetarian). I also had a White Peach Tea (Honest Tea company) and a lemon bar for dessert. But my boyfriend, wine-drinkers as we are, also got us a small bottle of Pinot Gris. They even gave us wine glasses! Not bad for a museum lunch.
The main area of the museum, the "lobby" if you will, is an atrium and contained a few pieces itself. The pieces there rotate. At the time, there were twelve large metal sculptures of the heads of animals representing the Chinese Zodiac, but I didn't take photos of them. Then we went into the museum area itself, where we could see all the things the CMA usually houses, as well as anything that was on special exhibit. They were preparing for several new exhibits which we could not see because they weren't ready yet, including an exhibit on Tantra in Buddhist Art. I thought the Tantra exhibit was current, but I don't think we saw it, so I'm not sure.
Moving into the museum, the first thing I went to see was the Ancient section, encompassing Greece, Rome, Italy, and so on. Now we get into the photos! I took note of anything specifically related to my own religious experiences or interests, and anything that I thought would interest my friends or family, so I can share with them, as well. First, some ancient goddess-related figures:
"The Stargazer" is the oldest such figure owned by the CMA. It is a female figure carved in marble, and she is shown here facing me, with her head tilted up to gaze at the stars.
"Bear-Woman," to the right, is an earthenware figure. She shows the usual feminine characteristics exaggerated in art. At my last Magick Class meeting before this birthday trip, we had been discussing symbolism, including the Goddess art of history, such as the Venus of Willendorf. Thus, I took a great interest in these similar depictions of women.
For my birthday on 16 August, my boyfriend took me to the Cleveland Museum of Art. We spent several hours there, beginning with a lunch at their cafe and continuing through all the available exhibits, from ancient Greece, Rome, and Egypt all the way up to the modern artists. I used my video camera to take photos of some of the pieces that I was allowed to photograph--most of the modern art is not allowed to be photographed due to copyright--and while I will be putting together a video showing the photos and talking a bit about my journey through the museum, I wanted to share some pictures here. I will not show every single picture in this post, but I will show them all in the video, so when I get that posted I'll be sure to link it here so you don't miss it!
![]() |
| Our wine and glasses |
The main area of the museum, the "lobby" if you will, is an atrium and contained a few pieces itself. The pieces there rotate. At the time, there were twelve large metal sculptures of the heads of animals representing the Chinese Zodiac, but I didn't take photos of them. Then we went into the museum area itself, where we could see all the things the CMA usually houses, as well as anything that was on special exhibit. They were preparing for several new exhibits which we could not see because they weren't ready yet, including an exhibit on Tantra in Buddhist Art. I thought the Tantra exhibit was current, but I don't think we saw it, so I'm not sure.
Moving into the museum, the first thing I went to see was the Ancient section, encompassing Greece, Rome, Italy, and so on. Now we get into the photos! I took note of anything specifically related to my own religious experiences or interests, and anything that I thought would interest my friends or family, so I can share with them, as well. First, some ancient goddess-related figures:
![]() |
| "The Stargazer," approx. 3000 BC |
![]() |
| "Bear-Woman" |
"Bear-Woman," to the right, is an earthenware figure. She shows the usual feminine characteristics exaggerated in art. At my last Magick Class meeting before this birthday trip, we had been discussing symbolism, including the Goddess art of history, such as the Venus of Willendorf. Thus, I took a great interest in these similar depictions of women.
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