Showing posts with label book. Show all posts
Showing posts with label book. Show all posts

06 July, 2023

Charm School Update: Week 5

Hey, all! Checking in from nearly the end of Week 5 of this 12-week Charm School challenge / fun self study time.

In my general scheduled plan, I wanted to ideally be finished with Twelve Wild Swans by now (doing a path per week, a section per day, for three weeks total) and finishing up What Witches Do this week. Next week, Week 6, Stella and I will be away at camp with lots of other magical things going on so I had planned for it to be a week "off" or grace period. If we wanna do more of this and have time, cool, but it wasn't being counted as necessary time.

That was the ideal plan, but I know myself, and I knew that traveling during this time and prepping for camp would take up time, space, and energy for me. There have also been other, unexpected things that came up this past month because, you know, life is like that. So as I expected, I am a bit behind where I wanted to be "ideally", but that's okay! The plan is not rigid, it's there to help keep me from getting totally lost as I lose track of linear time. It happens.

So here's where I am at this point...

29 May, 2023

Charm School Begins Soon...

classroom stock image showing a desk in front of a chalkboard. Text over top of the chalkboard reads "Charm School" in light blue and yellow curvy lettering, and "with Cara Mia and Stella Gramina" in smaller white text. On the light wood colored desk is an open book with a pencil, next to a pencil cup containing various pencils. A pair of reading glasses sits in front of the pencil cup, and a stack of books is visible at the right edge of the image.
Hey, Readers! More news for you!

I'm uploading a new public channel video right now that is a conversation with my friend Stella about our new personal project for the next few months.

We're calling it...

Charm School


This is a three-month project where Stella and I will be working together through Silver Ravenwolf's 1995 title, "To Stir a Magick Cauldron", and completing the tasks given as the requirements for the first degree of the fictionalized "Mist Tradition."

one of the original 90s covers of "To Stir a Magick Cauldron" by Silver Ravenwolf. This book cover is mostly purple with light blue and yellow title text. This edition features an illustration of a Witch with curly brown hair stirring a cauldron that is resting on a tree stump. Smoke, mist, or tendrils of fog emerge from and surround the cauldron and wind throughout the whole cover.

If you haven't read it, there is a section in the book where Silver talks about systems of Witchcraft with degree-based systems, and gives examples of the type of work one may be asked to do before receiving the first, second, or third degree, and so on. To illustrate the point, she asks the reader to imagine a made-up tradition, called the Mist Tradition, and then lists a bunch of stuff that Witches of that tradition may be asked to do for each stage of learning and progress.

But then -- plot twist! -- at the end of this section she says that Witches in her own, actual tradition are expected to do all the things on those lists, and more! So the Mist Tradition isn't real -- at least, Silver made it up for this book -- but the tasks are based on actual tradition requirements. Every tradition is different, so it just depends which one you're looking into.

~

14 January, 2015

Reading in 2014, Part Two (July-Dec.)

Hey, Readers!

If you missed the post about what I read in the first half of the year, check it out here. Otherwise, I'll get straight into it! These are the books I read in 2014 after July 10th, where the previous post left off. Enjoy!

20 July, 2014

Reading in 2014 (Jan.-July)

Hey, Readers,

This year I decided to try and beat the number of books I read last year, setting myself a goal of about 20-25 books this year. It's now July, a little more than halfway through the year, and I'm nearly to that goal now! Last year I had some busy times when I really didn't read much, but this year I've gotten back into the habit (and started visiting the local library on a weekly basis!) and have been reading almost constantly through the hours I'm not working, driving, or sleeping.

Since we're about halfway through the year, I wanted to go back through the things I've read so far in 2014 and just make a few notes about each one. Because I read a lot, I tend to forget details of the things I read once enough time has passed, so this is both a way to touch base with what I've read and to hopefully stir my memory in the future. Without further adieu, here is what I've read so far in 2014 (mostly in order, so you'll see I try to alternate types of books when it makes sense to--but as I'm separating the books and plays, as well as separating the books I've re-read from the new books read, it's not entirely chronological).

11 March, 2013

Wicked Spring

Hey, Readers,

No, the title of this post is not a commentary on the season, nor am I revisiting my trip to Boston. Instead, it merely brings together some of the many things I have been thinking about recently. As you know, because I've mentioned it before, I often think of things I want to blog about and then don't get around to it, and by the time I end up blogging I either have to post a bunch at once or leave some until later! Now, I know I can schedule posts, but I'm not so big on that just yet. So this time, I'll just keep it brief and discuss two main things: Wicked and the general Oz world of literature and other media, and spring-time.

Thumbnail from vlog where I showed the new books I got.
Pictured: Wicked and Son of a Witch by Gregory Maguire.
Last spring, I was in London and saw a production of the musical, Wicked. Then a few months ago I picked up some new books from the half price store, including Wicked: The Life and Times of the Wicked Witch of the West, and its first sequel, Son of a Witch, by Gregory Maguire. I began reading the first book about a week or so ago, and I read casually, a little by little, until halfway through this week when I decided I wanted to finish it before my boyfriend and I went to see the new film, Oz: The Great and Powerful, which premiered on Friday, 8 March. I finished all but a few sections (I guess they're chapters, within books, but the way the novel is laid out, some sections are separated into numbered "chapters" and some are not, so I kept referring to them just as "sections") by Friday night at midnight, so I just left the last few for Saturday morning since obviously we weren't going to make it on Friday.

I am planning a series of videos for my channel where I will talk in depth about various witch-related media, so I don't want to say very much here. But there are a lot of things I have to say about not only Wicked the novel, but also the musical, and then in relation to the new film since I watched it immediately after finishing an alternate view on the story. Trust me, the following is not even a quarter of all I would like to say on these topics, so there will be plenty more in the distant future.

Firstly, the musical is EXTREMELY different from the novel! I expected variation, of course. A compression, at least, and some creative leeway beyond that. But wow, are they ever two different beings. They share a title and a basic plot, following the life of Elphaba, a green girl who grows up to be referred to as the Wicked Witch of the West. But beyond that, they are hardly the same creature. The musical incorporates more of the timeline from Baum's original book, overlapping bits so that you kind of know what's happening in Dorothy's side of the story as Elphaba's life goes on. I liked that when I saw the musical, so it surprised me that the novel ignores certain appearances the Witch makes in Dorothy's timeline in the original book, and instead has her living a whole separate life, sort of on the sidelines, away from Dorothy. Which does make sense in the context of the novel, and I like it very much for that. I just expected a little more of that awareness of the original, having been fooled into thinking the musical was like the book. Sort of like if you've ever watched the movie (or read the play) Rosencrantz & Guildenstern are Dead, and every once in a while you see Hamlet and the other characters from the original story run through R&G's scenes, haha. Or like watching Lion King 1 1/2, and getting little looks at what Simba's up to in the original at the time you're watching Timon & Pumbaa get into their own trouble. Wicked the novel is not like that, but the musical is.

And then, seeing Oz! Wow, is it ever different. Parts of the film actually had me wondering if they were combining it with Through the Looking Glass (sources do say Baum was influenced by Carroll), or if I had missed some key points of the canon, having not read all 14 original books by Baum myself. I did pretty extensive research on The Wizard of Oz my freshman year at college, and through it I did read a few synopses of the other books, though I was focusing on comparing the original book The Wonderful Wizard of Oz (which I do own and have read) to the then SciFi channel original series, Tin Man. It was a great project, but like I said, even so I was left wondering if I had missed things that they decided to use in the movie. I did some basic research upon returning from the cinema, and I learned that throughout the many books, plays, movies, and spin-offs of Oz, the character's names are almost NEVER the same. So we can't really compare one to the other directly, since Elphaba is certainly not anything like the film's Theodora (who becomes wicked out of good, as opposed to Elphaba who was born green at the start), and neither of them are much like Tin Man's Azkadellia or the original western witchy gal. The film's Evanora is no Nessarose (Wicked Witches of the East in Oz: The Great and Powerful and Wicked, respectively), and the Wizard himself lives different timelines in each! Don't even get me started on Glinda, whose very homeland has been confused from the moment the 1939 MGM film hit the screens. The new film does place her in the South, as she was originally, though many people know her as being from the North. Even in the book/musical Wicked, Glinda is from Gillikin to the north, resulting in my forgetting that she was ever from the South. Which reminds me, also don't get me started on the map discrepancies! Each one has things in different places, whole areas looking different, etc. I am rather partial to Maguire's world of Oz, though, having just read it. But I digress.

Captioning is mine, photo from online.
Azkadellia from SciFi's Tin Man series.
I suppose the overall lesson here, as far as comparisons go, is that different people really do have very different views of the same exact things. But at least in this case, it's nice that they DO have all those varying names. Because as I said, Elphaba is not Theodora is not Azkadellia. Oz is not quite The O.Z. It would not be fair to expect them to be alike. It is a little harder to discuss with things such as Glinda, for example, portrayed many ways under the same name, implying that they are the same throughout. Think about your own lives. How many things do people pass off under the same name, claiming them to be alike when they clearly--or unclearly--aren't? And how many times to we encounter situations where people have used different names when they're really talking about the same exact thing? Oh yes, I find lessons everywhere, connections within connections. I love to look at different takes on the same thing, whether it be children's stories, classic plays, or even religions.

After all that, I suppose the spring-time seems a footnote. But I did see Wicked in London in the spring, and it is almost now spring again. Also, both subjects involve a vibrant, verdant green. =) With all these thoughts of witches and green skin and who's good or evil or what evil even is (great discussions about that in the novel Wicked, by the bye)... Today I managed to feel like a witch my way, what being witch means to me. Not to L. Frank Baum or his many successors who wrote so many sequels. Not to the creators of Tin Man, Zardoz (sci fi thing I just learned about, never seen it), or The Wiz. Not to the writers, actors, or production crew of Oz: The Great and Powerful, and also not to Gregory Maguire. I am a witch without much pomp, unlike Az or Glinda or any in the new film. But I am also not a witch who goes out of her way to blend in, like Elphie, covered head to toe to avoid the painful rain water.

I am a witch who runs excitedly outside into the mud, slipping in green and brown argyle shoes bought on discount but loved for their style and comfort; Who stands out on the mossy hill in her bright pink t-shirt, but doesn't mind getting her hands muddy digging to test the soil for a good garden spot. A witch who selectively inspects old flower pots, and while she did light a candle that morning in church in the spirit of the approaching season, really still feels most like a witch when picking the dead leaves off an old mum, reveling in the tiny greenness that is revealed to still be present. As some Wicked merchandised t-shirts proclaim, "Green is Good." That goes for storybook witches as well as for me, as well as for you, as well as for the planet. Green means growth, promise, potential, newness, and freshness. Green means fertility, prosperity, and life. Whether you have green skin, a green thumb, or just like the color, it's good. It's important. It's time.

Blessings~
-C-

25 November, 2012

Messages from The Killian Star


Hey, Readers,
I have recently started and finished a book that's been sitting on our shelves for several years now, The Killian Star. It was written by Alyson E. Denny, who is a friend of my mother's, and that's why we have the book. I'm going to do a video review of the book, so I won't get too much into that here, but I do want to talk about something else which stems from my reading of it (which I'll probably also make a video about, but I wanted to write it out here, too).




It does seem that everything falls into place, that things come to me just when I need them. In this case, of course the book has been lying around here for an age, but it was only this past week that I said to my mother, "You know, I always wanted to read this, I'll get through it this week and give it back to you before you move." And that's what I did, and that's when it was able to give me its message.
Oh, wow, I've literally only JUST realized something... Alyson wrote in the front of the book a note to my mother, saying that she hoped my mom would glean the book's secret message. Now I can only wonder if she meant what I'm about to tell you about! Huh! I can't believe I didn't think of that until now.
Anyway, as I'll mention in my review, the story itself is very interesting but the book is in want of an editor. To me, having been a teaching and writing assistant for three and a half years during my undergrad career, it read like one of my students' rough drafts. It was much better thought out and planned than many of them, but the abundance of typographical errors, spelling errors, and moments when you can no longer tell which character is speaking because something was written incorrectly or left out... well, it distracted me quite a bit. Especially in the beginning of the book when the story is more in pieces. But after a while, the action consolidates and I was able to concentrate more on the story than the misplaced commas and quotation marks, and I did end up gaining something from the story, though I didn't realize it until Friday night.

There are actually two moments in the book that have played out for me this weekend, as follows:
1) In the story, a ghost tells the main character's friend that he will be able to hear the spirit's instructions as thought suggestions in his mind. He won't necessarily hear the ghost's voice, but suddenly he would know what to do. The character experiences it exactly this way, speaking aloud words that he knows he wouldn't have known to say on his own, so he realizes he must be hearing the spirits' messages.
On Friday night, my boyfriend came back into town for a visit and came to my house, after which we both drove our individual cars to his house so that I'd have my car to drive to church and back home on Sunday. It was snowing a lot for the first time so far this year, and I need new tires. Things were going along well until we got to an intersection that was very snow-covered, even with all the traffic, and my boyfriend signaled in front of me to turn left, which is not the way I usually go. I slowed down and began to slide off the road. I managed to stop safely, but then I had trouble getting the car to go through the intersection and onto the next road because my tires wouldn't grip through the snow. But I got through that, and continued along. Now, this road I'd never been on before turned out to be very downhill, and very winding. Not good in snow and with bad tires. Needless to say, there were several moments when I almost slid into other cars, into trees, off the road in general, and I was crawling along, trying not to lose control of the vehicle.

As I mentioned in my recent video about the deities I actually work with, Elen of the Ways is my helper on the road, so I squeezed my bag of lavender and asked for her help. I'd asked for her help before, but never when I was actually already in a dangerous situation. I spoke to her, mostly to calm me down. Then a particularly bad slide had me really frightened, and as I straightened the car back out I said aloud, "Elen, please help me stay safe, and tell me what you want as an offering!" Just then I turned a corner and saw a deer crossing sign. Deer being sacred to Elen, I knew that meant she was listening (remember, I'd never been on this road, so I didn't know there was a deer crossing sign ahead). I started to cry as I said thank you and continued driving along. I repeated, "Tell me what you'd like as an offering so I can give you a proper thanks," and immediately images came into my head, just like for the character in The Killian Star. I got three images, three objects, all three things I could easily find for offerings, for which I was grateful. One of the things, the first, was an apple, and I happened to be eating an apple before I started driving and had the rest on the seat next to me. The second thing was snow. When I arrived at my boyfriend's safely, I tossed my apple into the snow. (I should add at this point that I firmly believe that while many things may be commonly known about the gods, I think some things differ for each follower. Elen may have purposely given me instructions she knew I could follow at the time. For someone else following her, apples and snow may not be the answer. I am very grateful to have gotten my own answers, and feel free to test it out for yourself, but I'm certainly no authority and my experiences should not trump your own!)

I have never received an answer so quickly in that format before, of thoughts or images just popping right into my head. I've had things like the sign appearing, suddenly coming across or seeing something physical that relates to the message and tells me the gods are listening. And I've had reactions from the environment, like sounds of animals, rushes of wind, and so on. And I've seen images in my mind's eye, but never so quickly or as an answer to an immediate request, just more like in meditations which are drawn out. But I absolutely believe that the only reason I was able to get a message in that way, as a thought suggestion, is because reading about it in the book made that format come forward in my mind.
2) In the story, a Native American woman named Eva talks a lot about the importance of dreams and listening to them to gain insight. The main character of the book has a lot of strange dreams, and Eva encourages her to pay attention to them and try to find out what they mean.
Of course I've always paid attention to my dreams--dream analysis has been one of my favorite little hobbies for years--but again, this just came at such an appropriate time, that I wonder if Eva's reminders in the book didn't open my subconscious up even more to receiving messages that way. Last night, I had a long dream which took place mostly in a very cluttered new age shop. I remember paying attention to and looking for items that I am interested in in my waking life, such as different shaped incense burners, candles, and other altar decor. But it wasn't any of those things that turned up messages, it was a few small things that I didn't remember until I woke up. One, a silver chain and what looked like abalone shell necklace which was very over-priced. I remember in the dream, myself and a little girl were reading the tag, which said it was made from something with a really long scientific name, which basically means in my waking life, it didn't matter what the substance was. It was the other word on the tag that mattered: Apollo. The other item, a package of specialty incense sticks, which were, again, very over-priced. I remember thinking in the dream, I am not paying $4.00 for 5 short sticks of incense, that's ridiculous. But I flipped through them to see the scents, and just like the chain and shell necklace tag, the names of the incenses were all gibberish. Except for one: Hecate.

As you know from a previous blog entry, I've been thinking more about starting my relationships with several deities I've felt drawn to over the years, because I've always thought I should wait for messages and with none coming I thought none were meant for me, but I've realized that maybe instead of waiting I should just go for it and see how they respond. Yet, all of a sudden, here we have more! All these years I've never so much as seen a deity's name in a dream, and then I get TWO in ONE DREAM. One of which I wasn't even planning on getting much more into, Hecate. But perhaps my recent participation in a ritual in her honor, and my honest offerings to her, have begun that relationsip already without my conscious decision. I guess it is true that Deity chooses us in the long run, with or without a slight nudge from ourselves.

Apollo. Hecate. Dionysus. Athena. Elen. All have given me a proverbial "thumbs up" in one way or another, whether it be through messages, answered pleas, hijacked ritual experiences, or subtle clues in books. The other deities I've worked with have not been given quite enough attention yet to tell, but all will come in time.

There is so much work to be done.

Blessings~
-C-

Comment question: If you work with deities regularly, how did your relationship with them begin? How has it evolved?

02 June, 2012

Candle Gazing

I started reading Starhawk's The Spiral Dance after I got it a short while ago. I haven't read every day, but I try to read whole chapters at a time, plus her notes from the ten- and twenty-year anniversaries, so I get the updates right after reading the chapter, to better remember.

Today, I read chapter seven, and I might begin chapter eight before I go to bed. But I decided that instead of diving right into chapter eight immediately, I would stop and do one of her easy little suggested activities. The simplest one I can think of, besides grounding and centering which I've done for years (and her definition of centering differs from mine), is candle gazing.

The goal of candle gazing is to increase your focus and concentration by gazing at a candle flame for five to ten minutes without letting your gaze un-focus, or go blurry, crossed, fuzzy, or double-visioned. So I lit a candle, sat comfortably on my futon, and settled the candle in front of me.

At first, I thought it might be difficult. Thirty seconds seemed to take forever and I thought "I'm going to do this for five minutes?!" But it's really not difficult. You just have to LOOK. After a while, it was tempting to shift my focus and scry in the flame--it kept moving in such interesting ways I had never consciously noted a flame moving in before, and I watch flames quite a bit. But after a while, I was sure it had been five minutes, and my gaze hadn't lost focus. I determined that this was probably not a necessary skill-builder for me, and I know I have pretty good concentration, but I still think it's good to test those basic skills every now and again.

I tried doing some other focus exercises with it, then, focusing on a specific size of flame or quickness, playing with wax and heat, and dropping an energy ball onto it. There were varying degrees of success. I doubt myself, suddenly ask myself "What on Earth am I doing?" Even after eight years and several obvious successes, I still occasionally doubt my ability to repeat a feat. Still, the next thing I knew, half an hour had passed.

Get a candle and a comfy spot and try candle gazing for yourself. You don't have to do it a lot if your concentration is already good, but it's worth flexing those muscles and maybe developing some more.

Blessings~
-C-

27 May, 2012

Spiral Dance



Hey, Readers!

I finally bought a copy of this book, which was recommended to me a couple years ago. It was always at Half Price Books--they always had at least two copies, every time I went--and each time I would look at it, planning to get it, but something always made me put it back. It didn't seem important enough to have it.

I don't know why, but yesterday when I went, I finally took it home. It sort of helped that there was an extra 20% off sale this weekend, but really, I think it was just time.

Has that ever happened to you? Nothing really changes that you can tell, but somehow, something that wasn't right before suddenly is?

Maybe it's just that I have more time to spend on this now. Who knows.

Blessings~
-C-